Publication:
Interrupted cities: l’interruzione come strumento compositivo

dc.contributor.authorCamiz, Alessandro
dc.contributor.authorVisconti, F.
dc.contributor.authorRusso, A.
dc.contributor.authorRusso Ceccotti, L.
dc.contributor.departmentArchitecture
dc.contributor.ozuauthorCAMIZ, Alessandro
dc.date.accessioned2020-08-18T09:28:20Z
dc.date.available2020-08-18T09:28:20Z
dc.date.issued2020-07
dc.description.abstractInterrupted cities is an international research project that we started2020 three years ago together with Tom Rankin, Giorgio Verdiani and Paolo Pineschi. The project was titled as an evident homage to Piero Sartogo's Roma Interrotta, but - starting with Nicosia, the city interrupted by the division into two of the island of Cyprus in 1974 - interrupted city has explored other instances of interruption, such as the division between center and periphery, and also the interruption of the life of a city following a seismic event. This is above all the meaning of this Camerte seminar. The City of Camerino, in my opinion, must be reborn as it was and where it was, and cannot instead be interrupted by a short-sighted policy of rebuilding elsewhere, elsewhere, collecting profits. In the city interrupted by the earthquake, we met during the XXIX International Seminar and Prize of Architecture and Urban Culture, coordinated by Giovanni Marucci, to investigate the interruption as a compositional tool. To deal with the subject I will use the rhetorical figure of the hidden metaphor: where a figure that refers to something else, it is used to suggest the meaning of a concept, without however delineating it precisely, or by interrupting its definition in order to strengthen its meaning.en_US
dc.identifier.endpage54en_US
dc.identifier.isbn9788874999170.en_US
dc.identifier.startpage.52en_US
dc.identifier.urihttp://hdl.handle.net/10679/6785
dc.language.isoitaen_US
dc.publicationstatusPublisheden_US
dc.publisherDi Baio editore, Milanoen_US
dc.relation.ispartof"Architettura e Città. Argomenti di Architettura", n. 15, Architettura contemporanea e contesto storico, Di Baio editore, Milano 2020, pp. 52-54en_US
dc.relation.publicationcategoryInternational
dc.rightsCC0 1.0 Universal*
dc.rightsopenAccess
dc.rights.urihttp://creativecommons.org/publicdomain/zero/1.0/*
dc.subject.keywordsUrban morphologyen_US
dc.subject.keywordsArchitectureen_US
dc.subject.keywordsArchitectural designen_US
dc.subject.keywordsUrban designen_US
dc.subject.keywordsTheory of architectureen_US
dc.titleInterrupted cities: l’interruzione come strumento compositivoen_US
dc.typebookParten_US
dc.type.subtypeBook chapter
dspace.entity.typePublication
relation.isOrgUnitOfPublication90b26182-c9cb-45ba-8961-d43ebaafde63
relation.isOrgUnitOfPublication.latestForDiscovery90b26182-c9cb-45ba-8961-d43ebaafde63

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