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dc.contributor.authorCamiz, Alessandro
dc.contributor.editorRusso, A.
dc.date.accessioned2020-03-02T10:49:12Z
dc.date.available2020-03-02T10:49:12Z
dc.date.issued2020
dc.identifier.isbn9788862424035en_US
dc.identifier.urihttp://hdl.handle.net/10679/6383
dc.identifier.urihttps://www.letteraventidue.com/en/prodotto/364/reggio-calabria-istanbul
dc.description.abstract“Ars simia natura” (Boccaccio, 1360) is a concept that has cut in two the history of the arts. Hence the modern figurative revolution the misunderstanding of this notion it has depleted architecture to a mere branch of the visual arts: architecture instead possesses its own compositional techniques and we consider here the dialectics between type and model in architectural composition as a metaphor outlining the elements of a design theory focused on meaning. The proposed theory founds itself on the transposition of Raffaele Panella’s teachings to the domain of Urban Morphology and adapting them for the purpose to achieve meaning in architecture. The contemporary project should accept any restraint imposed by the context, and fit within the processual evolution of the surrounding urban tissue, but by considering the collective memory it should also use recognisable elements to communicate, the design models (Carpenzano 1993). Every designer uses a model in his design activity, but not all are aware control of this creative process. The use of models in composition, not to be confused with the copy, belongs to an ancient school of thought, dating back to Aristotle, and feeding the history of architecture, all the way to the best tradition of modern architecture. We can find reference to the use of models in architectural composition in the design activity of “Gruppo Architettura” in the ‘60 in Italy and in the project for East Rome, designed by Raffale Panella, Costantino Dardi and Carlo Aymonino for the XV Milan Triennale in 1973 (Aymonino, Panella, Dardi, 1973).en_US
dc.language.isoengen_US
dc.publisherLetteraVentidue, Siracusaen_US
dc.relation.ispartofReggio Calabria Istanbul. Un progetto per Galata. A project for Galata. International Urban Design Workshop 2019 Urban Façade: Istanbul Waterfronten_US
dc.rightsCC0 1.0 Universal*
dc.rightsopenAccess
dc.rights.urihttp://creativecommons.org/publicdomain/zero/1.0/*
dc.titleGalata waterfont: models, types, and the morphology of meaning in architectureen_US
dc.typeBook chapteren_US
dc.publicationstatusPublisheden_US
dc.contributor.departmentÖzyeğin University
dc.contributor.authorID(ORCID 0000-0002-0318-6643 & YÖK ID 294797) Camiz, Alessandro
dc.contributor.ozuauthorCamiz, Alessandro
dc.identifier.startpage8en_US
dc.identifier.endpage9en_US
dc.subject.keywordsArchitectureen_US
dc.subject.keywordsUrban morphologyen_US
dc.subject.keywordsArchitectural theoryen_US
dc.subject.keywordsUrban designen_US
dc.contributor.authorMale1
dc.relation.publicationcategoryBook Chapter - International - Institutional Academic Staff


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